北野という街を“光の遊ぶ浴場”として再読する。六甲の反射光と真珠の記憶を媒介に、場所そのものを空（から）の殻＝もぬけとして受け取り、光・音・身体の呼気を通して潜んだ層を立ち上げる。完成した意味は提示しない。観客は作家の視座を必要なぶんだけ借り、借りないぶんは自分の眼で編集し直す。

舞台はローズガーデンの中庭。壁面の反射、足音、風、時間の歪み――都市にすでにある“温度差”を素材に、場そのものが演者へと反転する。目的は理解の説明ではなく、知覚の更新。息を通すたびに、北野は別の顔を見せる。ここはスパではなく、記憶が湧く浴場だ。問いが生まれ、視界が入れ替わる。その刹那が、上演の核。

We reread the town of Kitano as a bath where light plays. Mediated by the reflected light of Mt. Rokko and the memory of pearls, we receive the site as an empty shell—and by passing breath through it—light, sound, and bodies—we raise its hidden layers to the surface. We don’t deliver finished meanings. Spectators borrow only as much of the artist’s vantage as they need; the rest they re-edit with their own eyes.

The stage is the Rose Garden courtyard. Wall reflections, footfalls, wind, the warp of time—the temperature gaps already present in the city become our material, and the place itself flips into the performer. The aim isn’t explanation but a refresh of perception. With each breath, Kitano shows another face. This isn’t a spa; it’s a bath where memory wells up. Questions are born; viewpoints swap. That instant is the core of the performance.